PHILOSOPHICAL AND THEOLOGICAL BASIS OF ICON PAINTING

An icon is a sacred work of art that is both material and spiritual, based on the cultural experience acquired by the Christian community over two thousand years of Christian civilization. This is the uniqueness and universality of the icon in the Christian concept of knowing and worshiping God. The authors analyse such philosophical foundations of icon painting as transcendentality, metaphysic and ontological nature, and anthropologism. The material and spiritual nature of the icon is determined, the theological foundations of icon painting are identified including the observance of the canons and mysticism. © 2022, Ecozone, OAIMDD. All rights reserved.

Authors
Kotovchikhina N.D.1 , Shafazhinskaya N.E.1 , Kapustina D.M.2 , Zabolotskaia I.3 , Shaklein V.M. 4 , Bondarenko N.G.5
Journal
European Journal of Science and Theology
Publisher
Ecozone, OAIMDD
Number of issue
1
Language
English
Pages
167-176
Status
Published
Link
External link
Volume
18
Year
2022
Organizations
  • 1 K.G. Razumovsky Moscow State University of Technologies and Management, (First Cossack University), 73 Zemlyanoy Val str., Moscow, 109004, Russian Federation
  • 2 Moscow Aviation Institute, 4 Volokolamskoe Highway, Moscow, 125993, Russian Federation
  • 3 First Sechenov Moscow State Medical University, 19/1 Bolshaya Pirogovskaya str., Moscow, 119146, Russian Federation
  • 4 Peoples’ Friendship University of Russia (RUDN University), 6 Miklukho-Maklaya Street, Moscow, 117198, Russian Federation
  • 5 Pyatigorsk Institute(branch) of the North-Caucasus Federal University, 56 Sorok let Oktyabrya Ave, Pyatigorsk, 357502, Russian Federation
Keywords
Anthropologism; Iconodulism; Metaphysicality; Ontological nature; Transcendentality
Date of creation
06.07.2022
Date of change
06.07.2022
Short link
https://repository.rudn.ru/en/records/article/record/84315/
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